5/5/2023 0 Comments Ipaint unblocked![]() ![]() ![]() ![]() It doesn’t have to be something you’ve done before.Think about one creative activity you could do in that time, with no specific outcome.Think about how it would feel, to be creative again.tiredness, trauma, busy-ness, fear of failure). Identify what it might be blocking you (eg.If you’re feeling creatively blocked, here’s what I’d recommend: I cook and plant flowers and make music and dance. I paint and draw, write poems and build sculptures. I have very limited time now, which helps me to be more productive in the time I do have available.I have so many ideas about poems and novels to write, non-fiction books and articles to pitch, content to share on social media.īut there are two differences between then and now: Since having children, I’ve felt more creative than ever before. Ideas would drop – in that magical way – and I’d catch them. They stubbornly stayed put, blocking me from being creative and – actually – from feeling happy, for an entire year.Įventually, as I worked through the trauma and completed my English degree, I started writing again. And while I tried to push the big feelings down to make them disappear – they didn’t. Sometimes, it’s enough to get through the day.īack then, I’d been through a trauma that had shaken my world. When you’re going through something difficult, you might not feel inclined to create. What I know now, that I wish I’d known then, is that trauma can block your creative flow. It didn’t bother me until he highlighted this change and suggested I was becoming boring, without my creative productivity. It hadn’t even occurred to me that this had happened, I simply wasn’t having any ideas for new poetry and so I wasn’t writing anything. When we first met, I’d written him love poems and ran a project called ‘Dear Someone’, leaving anonymous poems in envelopes around the UK. When I was in my early 20s, I was having a coffee with my ex-boyfriend and he said: what’s happened to you? You used to be so creative. Here’s what do do when you’re not feeling creative but want to be… Recreating cathedral-like spaces within my paintings, I use two dimensions to evoke the third, fourth and beyond resulting in paintings that have a magical realist element.There may be periods where creative ideas are landing in your mind consistently and others, where you don’t feel inspired to do anything but get through the day. Hockney’s use of multiple perspectives within an artwork and his historical research into lenses have been helpful here.³ To extend an invitation into the scene, single point perspective is ideal, alternatively I’ll use multiple perspectives so that the viewer must roam around the scene with their eyes. I also employ perspective to create the illusion of an enveloping sense of scale. Works by Richard Serra, Claude Monet, David Hockney and Anselm Kiefer have taught me that increasing scale forces a physical involvement and I enjoy using large canvases when possible. I play with the power of colour to effect our emotions, consider light sources, work with scale and vary perspectives. Eager that this joyful experience be passed on to others I look for ways envelop the viewer, transforming them into a participant. This is sheer delight I paint as an expression of my own vitality. I find their inherent archaic references grounding, painting them gives me a sense of timelessness. Both impress me with their monumental scale, the light filtered through translucent colours and the strong, uplifting verticals. In the forest I always see echos of cathedrals and vice versa. ![]()
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